When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.

Director Anthony Chen and Qu Chuxiao collaborate for the second time to tell a story about bodies and regrets in the rainforests of Malaysia.

After The Reflection, some of the people in all parts of the world are discovered with super powers. Some become heroes, and others villains. How did the Reflection happen? What was the cause of it? With many unsolved mysteries, the world is led into turmoil.

An astronaut with a medical secret is on the run from the evil Ron Silver and the rest of NASA, with the help of a talking motorcycle called Heat Vision. The failed pilot was originally ordered by FOX.

A thriving painter's enviable life begins to fray at the edges when a bright young woman she once befriended resurfaces as a shell of her former self.

A journalist digs deep into the world of aviation and discovers some uncomfortable truths. And a conspiracy trail dating back to 1954. But why is no one saying anything?

On the run from a New Jersey crime family, two brothers wend their way to Los Angeles, where they make their dream of owning a restaurant a reality. But their life in hiding life becomes complicated when their lives are torn apart by their love for the same woman.

A couple is set in their monotonous life until the husband has a homosexual affair with a young male prostitute. Suspicious of her husband, the wife seeks the truth and eventually ends up in bed with the same young man. Their desire has a new meaning.

A silver screen actress drifts in and out of her character as she longs for the love of her co-star.

DESIRE is a non-chronological collage constructed from a corpus of materials drawn from the genre of melodrama. The work, grounded in the practice of decoupage, spans approximately three decades—from 1932 to 1958—and includes titles from the United States, Argentina, Great Britain, Finland, Italy, Japan, Mexico, and Spain. 　　Desire traces both a diachronic trajectory across time and a synchronic one within time, weaving a particular history of cinema along a temporal axis that is at once specific and archetypal. History itself, though continually shifting in its spatial and temporal configurations, appears to endlessly reproduce the same figures—interpreters who, beyond the specificity of their human and historical identities, seem fundamentally unchanged in gesture, modality, and essence. This recursive logic—an endless slipping and rising, ad infinitum—emerges in the film as a desperate attempt to escape a condition of human existence, here marked as specifically feminine, subjugated by the flow of time as a secularized and systematic machinery of power. 　　The film thus unfolds as an expression of impossibility ab ovo: the impossibility of a total liberation from the archive, understood as archè—sign, origin, and principle. Even when memory is reduced to ashes, the film’s figures wander along the threshold between presence and absence, suspended within the realm of desire.